Born in 1971
Lives and works in Besançon, France
Géraldine Pastor Lloret questionne les notions d’identité culturelle et sociale principalement à travers le dessin
mais aussi par la production d’objets et de maquettes.
Elle propose des environnements « plus ou moins habitables » : serres, estrades, meubles, cohabitant avec des
dessins muraux qui constituent des ensembles complexes.
Géraldine Pastor Lloret représente des personnages et des espaces aux origines culturelles équivoques
n’hésitant pas à mixer des influences occidentales et orientales.
Géraldine Pastor Lloret addresses notions of cultural and social identity largely through the practice of drawing,
while also making objects and maquettes. In her 2002 monumental Work, Exchange, The Jungle, a scale
model of an architectural labyrinth, seems stuck in disturbing suspension somewhere between ideal models for
high tech living, and housing project hell in a banana republic.
Pastor Lloret's work has frequently dealt with both figures and spaces of ambiguous cultural origin, sometimes
mixing western, oriental and arabic influences, for example, in artistic styles, clothing design and body
ornamentation, as in her Popular Costumes series of drawings (2003).